Art of the Odd

I shared this on Twitter already – it came in via Elizabeth Bear, who had it from Warren Ellis. But it deserves a place here, too.

The proceeds go to benefit Haiti. You can pre-order here, though the US purchase site doesn’t appear to be set up yet.

Incidentally, Christy Moore had something interesting things to say about benefit gigs in the Christy Chat I received this morning.

John Spillane and I have been putting a few chords together… “Haitian Girl” is the current working title of a song that is emerging. We will perform a gig in Vicar Street, Dublin on Tuesday, 23rd March. All proceeds will go to GOAL in Haiti. Ticketmaster have waived their commission and Vicar Street their rental fees.

An increasing number of people seem to be becoming critical of benefit gigs. They question the motives and claim that tragic situations are being exploited. One Dublin journalist wrote a scathing attack on those who do benefit gigs. (Presumably getting well paid for the piece) I have heard stories of NGO’s in areas of war and catastrophe, of aid workers behaving inappropriately … But I have also witnessed the courage and commitment of volunteers giving their time and sometimes their very lives to help others. I am in awe of their commitment. I believe that the courage and compassion of thousands far outweighs the errant behaviour of a few. Also I know that certain performers cannot resist any PR opportunity, sometimes cynically, more times unwittingly, but I believe they too are in a minority. Then there are the political arguments, the ethical dimensions, the opportunism of donor nations, the fashionable ladies and gents who lunch for charity … I simply don’t have the time to work it all out, I need to keep it simple. If I can give a dig out I will, and if some want to put a slant on that … so be it.

Maybe I should give the PonyShow its own category, too.

Tonight’s PonyShow‘s was all about raising money for Hillary’s campaign. We had Hillary volunteers, Hillary’s state field director, Hillary buttons and signs and balloons. I danced to Natacha Atlas’s cover of “It’s a Man’s World,” and NovySan offered to stalk the candidate. All in all, a good night.

I understand the 4/4. The 2/4 as well. These are the rhythms of the heart, the rhythms of a human walk, the rhythms of water dripping from the sky. 3/4? More exotic, yes, but it’s a gallop, the rhythm of a horse in motion. A 9/8, though? Where did that come from? How did that extra beat find its way in, and why do I like it so much? And how long is it going to take to master it?

1-2-3-4-5-6-789… 1-2-3-4-5-6-789… 1-3-5-789…1-3-5-789… 123-123-123-1-1-1…